Phase 2: Ballet

Dates: Saturday 18 – Sunday 19 May 2019
Time: all day (likely 10:00 – 18:00) Saturday and Sunday
Venue: Royal Opera House, Covent Garden, London WC2
Closing date: Thursday 28 March, 9am

Following the success of our first Women Conductors workshop specialising in opera, in partnership with the Royal Opera House and National Opera Studio last September, we are very pleased to be presenting two similar opportunities this summer: one for opera, and one for ballet. The ballet course is detailed on this page and you can click here to visit the page about the opera course. If you are eligible for both, you can apply for both using one application form, or alternatively specify in your application form which course you would like to be considered for.

WHAT DOES IT INVOLVE?

This intensive two-day course will give women conductors the opportunity to evolve their skills and fluency in the art of ballet conducting. A cohort of 6 participants will have a unique chance to work with one of Britain’s leading ballet conductors and dancers from the Royal Ballet.

The course will address the principles of conducting for dance, compared with opera and symphonic repertoire. Central to this, you will learn about the rehearsal process for dance, what professional dancers need and expect from a conductor and how musicians and dancers collaborate. You will meet members of the music staff of the Royal Ballet, and receive coaching from Paul Murphy, Principal Conductor of Birmingham Royal Ballet. Also present will be Alice Farnham, founder of the RPS Women Conductors programme, and Jonathan Lo who recently conducted New Works, New Music, the Royal Ballet’s acclaimed return to the renovated Linbury Theatre. Working with Royal Ballet repetiteurs, you will have the chance to conduct Royal Ballet dancers in excerpts from Prokofiev’s Romeo and Juliet and find out more from our experts about the creative process of conducting new work by living composers and choreographers.

Koen Kessels, Music Director of the Royal Ballet will play a central role in reviewing applications and selecting candidates. As demand for places is expected to be high, we are able to grant some free ‘observer’ places to a small number of exceptional candidates not selected to participate. While this will not involve conducting in sessions yourself, you will still have substantial opportunity to learn from the experts involved and draw insight from the activities on the course. You need not be based in the UK but would need to make your own arrangements to get to London and stay for the weekend, including any visa or similar travel documents this may require, at your own expense. As the course will be run in English, you should be fluent in it.

WHO IS ELIGIBLE TO APPLY?

This opportunity is strictly for women who are already working conductors, aspiring to work at the highest level and deepen their practical knowledge of conducting ballet. We are looking for conductors with technical competency who wish to develop their powers of interpretation and expression. We are particularly interested to hear from conductors already working in dance for whom this will be a chance to further your proficiency, but conductors from other disciplines are also welcomed. In your application, you should talk about your experience and interest in conducting dance, and tell us why you feel this experience would be of vital benefit to you now.

Optimally you will already have considerable professional experience conducting, working with musicians of a professional standard. In your application, you are asked to submit both a CV outlining your conducting experience so far and some filmed footage of you conducting. See below for further details.

If you are not at this level of conducting, you may like to consider another of the RPS Women Conductors workshops, detailed here.

If you are unsure whether the course may be right for you or have any concerns about whether you could fully participate, you are warmly welcome to call the RPS for an informal chat on 020 7287 0019.

HOW MUCH DOES IT COST?

We are pleased to say that this particular course is free to participate in, thanks to the generous support of Oak Foundation.

Participants and observers will need to arrange their own travel and accommodation as required. Though refreshments will be provided, you should make your own arrangements for lunch: the Royal Opera House is situated close to a range of cafés and shops.

HOW CAN I APPLY?

Applicants must complete the online application form by 9am on Thursday 28 March (click the button below).

In your application, you will be asked to account why you feel this opportunity is vital for you at this moment in your career. You are also asked to upload your CV (in PDF format) which should prominently detail your conducting work so far, as well as your other vocational and educational accomplishments to date. A one or two page CV is adequate: please do not send anything longer.
In addition to your application, you should also ask a musician of standing (such as a professional musician with whom you have worked or a music teacher) to write a short reference, vouching for your accomplishments and why you would benefit from this experience.

You should ask them to send this by email to admin@philharmonicsociety.uk to arrive no later than the closing date of Thursday 28 March, 9am. In the subject heading of the email, they should simply write ‘Women Conductors reference for’ followed by your name. In your application form, you should state the name, role and email address of your referee so we know who to expect it from. We can only consider applications for which we have a reference submitted by the closing date.

Places are subject to availability and applications are assessed before places are confirmed.

If you are applying for the ballet and opera courses, and the panel decides to offer you a place, it is their decision which course you will be offered.

We aim to confirm places in mid-April and at that stage will also offer select candidates who are not offered places the chance to come and observe part of the course.

WHAT FOOTAGE IS REQUIRED?

To help us ensure you are at a sufficiently proficient level to benefit from this course, we ask all applicants to share some filmed footage of them conducting.

Optimally, this should be conducting an orchestra, choir or relatively large chamber ensemble, professional or amateur. In order to best gauge your abilities, we ask that the footage is as high quality as possible, both audibly and visually, though we will take into account that the overall musical standard of those you are conducting may not be so proficient if it is an amateur ensemble. The camera should be facing you (not behind you).

You may choose to submit one excerpt or two but your footage should not exceed a maximum 10 minutes in duration; you can submit a longer extract, if you do not have the means to edit it, but please note we will only be able to view the first 10 minutes of it. If you do not start conducting at the start of an excerpt, please note in your application form the time (in minutes and seconds) when you do start conducting.

The footage must be ‘live’ (with no editing or dubbing) either in concert, rehearsal or filmed privately. The footage must be relatively recent, filmed no more than three years before the closing date.

You should upload your footage (publicly or privately) to YouTube, Vimeo or an equivalent platform online. We regret we cannot accept footage in any other format. Once uploaded, you should then supply the link to each excerpt in your application form. If the link is private, make sure you tell us the password in your application form.

For any questions or queries about the course, please contact us.

OUR MEMBERS

Graham Sheffield, Director of Arts, British Council: Nobody could ever have invented the RPS. I love it for the support it gives to musicians, and for its commitment to an inspiring future for music.

DID YOU KNOW?

In 1824 the Philharmonic Society paid Beethoven 50 pounds to commission his 9th Symphony.